Typography Research

I decided to look at a typography timeline to get a good idea of the history of typography before taking on this project. All of the information I found for this typography timeline was taken from home.moravian.edu.


Renaissance, 15th-16th centuries:

1470: Nicolas Jenson creates first old style Roman typeface. Roman type was modelled from a European scribal manuscript style.

1523: Garamond typeface invented. Garamond’s letterforms convey a sense of fluidity and consistency.


Baroque, 17th century:

1692: Romain du Roi Typeface created by Robert Grajun (first cursive typeface)

1757: Baskerville Typeface designed. The Baskerville typeface is the result of John Baskerville’s intent to improve upon the types of William Caslon.

1722: William Caslon. Caslon’s typefaces were inspired by the Dutch Baroque types.


Neoclassical, 18th century:

1780: Bodoni typeface designed. Bodoni had a long career and his designs evolved and differed, ending with a typeface of narrower underlying structure with flat, unbracketed serifs, extreme contrast between thick and thin strokes, and an overall geometric construction.

1784: Didot typeface designed. The Didot family’s development of a high contrast typeface with an increased stress is contemporary


Romantic, 18th-19th centuries:

1816: Caslon IV produced the first sans-serif printing type in England for Latin. Caslon’s Sans Serif and the Grotesques, which followed on from this pattern in the 19th century.

1896: Cheltenham Designed. Cheltenham is not based on a single historical model, and shows influences of the Arts and Crafts Movement. Originally intended as a text face, “Chelt” became hugely successful as the “king of the display faces.”


Industrialisation, 19th-20th centuries

1904: Franklin Gothic and its related faces, are realist sans-serif typefaces originated by Morris Fuller Benton. Franklin Gothic has been used in many advertisements and headlines in newspapers. The typeface continues to maintain a high profile, appearing in a variety of media from books to billboards.

1927: Futura typeface designed. It is based on geometric shapes that became representative of visual elements of the Bauhaus design style.

1932: Times New Roman is a serif typeface commissioned by the British newspaper The Times in 1931, created by Victor Lardent at the English branch of Monotype

1957: Haas Grotesque (Helvetica) Designed Helvetica was developed in 1957 by Max Miedinger with Eduard Hoffmann at the Haas’sche Schriftgiesserei (Haas type foundry) of Münchenstein, Switzerland.


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